Pedro Reyes

Mexico City, Mexico 1972.

Lives and works in Mexico City, México.

Solo exhibitions (Selection):

2011
 

2010
 
 
 
 
 
 

2009

2008
 
 

2007
 

2006
 

2005

2004

2002

2000

La Revolucion Urbana, Biennale de Bordeaux. France.
Cur. Pistoletto. Bronx Museum. Conference.

Art Basel Projects. Miami Beach, United States.
UGP: Urban Genome Project, UCLG, Congress Local and Regional Leaders Summit. Mexico City, Mexico.
UGP: Urban Genome Project, Artissima. Torino, Italy.
Plaza Bicentenario. Monterrey, Mexico.
Isla Flotante, Caletilla. Acapulco, Mexico.
Map Marathon, Serpentine Gallery. London, United Kingdom.
Baby Marx, Labor. Mexico City, Mexico.

Baby Marx, CCA Kitakyushu. Fukuoka, Japan.

47 undertakings, Bass Museum. Miami, United States.
Caractères Mobiles, Yvon Lambert. Paris, France.
Conflict Resolution, San Francisco Art Institute. San Francisco, United States.

Vehiculo de Pasajeros a Propulsión Humana, Galería Heinrich Erhardt. Madrid, Spain.
Principles of Social Topology, Yvon Lambert Gallery. New York, United States.

Ad usum: To be Used, Carpenter Center, Harvard University. Cambridge, United States.
Reciclon, Aspen Art Museum. Colorado, United States.

Dream Digestor, Arnolfini. Bristol, United Kingdom.

Nuevas Terapias Grupales, Galería Enrique Guerrero. Mexico City, Mexico.

Nomenclatura Arquímica, Sala de Arte Público Siqueiros. Mexico City, Mexico.

Jardines Colgantes, La Torre de los Vientos. Mexico City, Mexico.

Group exhibitions (Selection):

2010
 
 
 
 
 
 
 
 

2009
 
 
 
 
 
 
 
 
 

2008
 
 
 
 
 
 
 

2007
 
 
 
 
 
 
 
 
 

2006
 
 

2005
 
 
 
 
 

2004
 
 

2003
 
 
 
 

2002
 
 
 
 
 
 
 

2001
 
 
 
 

2000
 
 
 

1999

1998

1997

Epílogo, Museo de Arte de Zapopan. Jalisco, Mexico.
Primeira e última, Galería Luisa Strina. Sao Paulo, Brazil.
The Tree: From the Sublime to the Social, Kelowna Art Gallery. California, United States.
Nature en fete. Dinard, France.
Biennial of the Americas. Denver, United States.
Modelos para armar. Pensar Latinoamérica desde la Colección MUSAC, MUSAC. León, Spain.
HOPE! Palais des Arts et du Festival. Dinard, France.
Asteroide b612. Museo de Arte Moderno. Mexico City, Mexico.
In Lieu of Unity En lugar de la unidad. Ballroom Marfa. Texas, United States.

Diseño Regenerativo, Museo de Arte Moderno. Ciudad de México, México.
Los de arriba y los de abajo, Sala de Arte Público Siqueiros. Mexico City, Mexico.
Bienal do Mercosul. Porto Alegre, Brazil.
Mamoyguara opá mamo pupé, 31º Panorama da Arte Brasileira, Museu de Arte Moderna
de Sao Paulo. Brazil.
Auto. Sueño y materia, LABoral/CA2M. Gijón/Madrid, Spain.
1989, The end of the history or the beginning of the future? Kunsthalle Wien. Vienna, Austria.
Lyon Biennale. Lyon, France.
México Expected/Unexpected, TEA Tenerife Espacio de las Artes. Tenerife, Spain.La invención de lo cotidiano, Museo Nacional de Arte. Mexico City, Mexico.

Yokohama Triennale. Yokohama, Japan.
Expected/Unexpected, Maison Rouge. París, France.
MashUp, USF Contemporary Art Museum. Tampa, United States.
Prospect 1 Biennial. New Orleans, United States.
Art Basel Projects, Basel. Chicago, United States.
Experiment Marathon II, Reykjiavik Art Museum. Reykjiavik, Finland.
The Tree: From the Sublime to the Social, Vancouver Art Gallery. California, United States.
Tlatelolco, The New Museum NY. Nueva York, United States.

Principio de Incertidumbre, Forum de las Culturas. Monterrey, Mexico.
Viva Mexico, Zacheta Gallery. Varsovia, Poland.
Experiment Marathon I, Serpentine Gallery, London, United Kingdom.
Viva la Muerte!, Kunsthalle Wein. Vienna, Austria.
Everstill/Siempretodavía, Fundación Federico García Lorca. Granada, Spain.
Escultura Social, Museum of Contemporary Art. Chicago, United States.
Elephant Cementery. Artists Space. New York. United States.
Olympic Sculpture Park, Seattle Art Museum. Seattle, United States.
Busan Biennale. Busan, South Korea.
Habitat/Variations Bâtiment d’art contemporain, Genève, Casa Encendida. Madrid, Spain.

Distor, Museo de Arte Carrillo Gil. Mexico City, Mexico.
Downtime, constructing leisure. California Center for the Arts. United States.
Queremos Rock!, Queen´s Nails Annex. San Francisco, United States.

Declaraciones, Centro de Arte Reina Sofia. Madrid, Spain.
FarSites: Urban crisis and domestic symptoms in recent contemporary art, InSite. San Diego.
Braunschweig Parcours. Braunschweig, Germany.
Morir de Amor, Museo Universitario de Ciencias y Artes. Mexico City, Mexico.México 70, Casa del Lago. Mexico City, Mexico.
Come Closer, Künstlerhaus Bethanien. Denmark.

PR04, Puerto Rico.
Especimenes, Museum of Natural History. Mexico City, Mexico.
Seattle Sculpture Park Project. Seattle, United States.

The Structure of Survival. 50 Venice Biennal. Venice, Italy.
Fisión/Fusión, MCI Institute. Washington, United States.
Eshigo-Tsumari Trienalle. Niigata, Japan.
To be political it has to look nice. Apex Art. Nueva York, United States.
Modifications, Museo de historia natural. Mexico City, Mexico.

Interplay, The Moore Space. Miami, United States.
Shanghai Biennale. Shanghai, China.
Thisplay, La Colección Jumex. Ecatepec, Mexico.
Mexico City: An exhibition about the Exchange Rates of Bodies and Values. PS1/MoMA|KW. New York/ Berlin, United States/ Germany.
The air is blue, Casa-Museo Luis Barragán. Mexico City, Mexico.
20 millions of Mexicans can’t be wrong. South London Galler. United Kingdom.
Alibis/Coartadas, C. Culturel du Mexique/Witte de Witt, Paris/Rotterdam. France, Netherlands.

ABCDF, Museo del Palacio de Bellas Artes. Mexico City, Mexico.
Do It, Museo de Arte Carrillo Gil. Mexico City, Mexico.
21 Zonas. Uxmal, Yucatan, Mexico.
4x.Photo Albums, Museo de las Artes. Guadalajara, Jalisco, Mexico.
Rumors / Mutations

Metro Candelaria, Installation at Mexico City’s subway station. Mexico City, Mexico.
Action videos by Latin American Artists, Artists Space. New York, United States.
Punto Ciego, Art & Idea Gallery. Mexico City, Mexico.
Infancias Botánicas, Japan Foundation, Viveros de Coyoacán. Mexico City, Mexico.

Paradas continuas, Museo de Arte Carrillo Gil. Mexico City, Mexico.

Doméstica, private spaces at colonia Condesa. Mexico City, Mexico.

La resurrección de San Martín, Work in situ at Edificio San Martín. Mexico City, Mexico.
Sanar, Instalaciones en Advento, Tecalli, Puebla, for an extramural project of
Museo de Arte Carrillo Gil. Mexico.
Bestias y Nahuales: Mascotas para un fin de siglo. Centro Cultural de la SHCP. Mexico City, Mexico.

Bibliography:

2010
 
 
 
 
 
 
 

2009
 
 
 
 
 
 
 
 
 
 
 

2008
 
 
 
 
 
 
 
 
 

2007
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

2006
 
 
 
 
 
 
 
 
 
 

2005
 
 
 
 

2004
 
 
 
 
 
 
 
 
 
 
 

2003
 
 
 
 
 
 

2002
 
 
 

2001

1998

Javier Téllez by Pedro Reyes, Conversation between Javier Téllez and Pedro Reyes, BOMB, Winter.
Theresa Bembnister, In Lieu of Unity at Ballroom Marfa, glasstire.com
Sonya Ellingboe, Art from the Americas, Highlands Ranch Herald, July.
Alice Thorson, Art from all of America reaches new heights, The Kansas City Star, July.
José Marín-Medina, De Armas Tomar, El Cultural, July.
Nancy Zastudil, In Lieu of Unity Ballroom Marfa, Art Lies, July.
Velo. Bicycle culture and design (Editors: R. Klanten, S. Ehmann), Gestalten Books.
Hans-Ulrich Obrist, Interviews. Volume 2. Edizioni Charta.

Le spectacle du quotidien/The spectacle of everyday. Xe. Biennale de Lyon.
Publicated by Les presses du réel.
The Unthinkable Spring. Alejandro Jodorowsky interviewed by Pedro Reyes. Bidoun, Summer.
Mamoyguara Opá Mamo Pupé. 31º Panorama da Arte Brasileira, Museu de Arte Moderna
de Sao Paulo, Exhibition Catalogue.
Experiment Marathon. Hans Ulrich Obrist & Olafur Eliasson, Reykjavik Art Museum
and Koenig Books, Exhibition Catalogue.
Fietta Jarque, Motor y deseo, Babelia, Cultural suplement of El Pais newspaper, May.
Rocío de la Villa, El sueño en el desguace. Auto, sueño y materia, El Cultural,
Suplement of El Mundo newspaper, May.
Mexico Expected/Unexpected, TEA(Tenerife Espacio de las Artes), Exhibition Catalogue.
1989. Ende der Geschichte oder Beginn der Zukunft?, Kunsthalle Wien, Exhibition Catalogue.

Christian Rattlemayer, Pedro Reyes utopias, Atlantica Magazine.
Hans-Ulrich Obrist, Formulas for Now, Thames and Hudson.
Expert Eye, The Art Newspaper, December.
Julia Cooke, Baby, you can drive my…, Azure Magazine, September.
Lynn Mitges, Digging new beginnings, The Province.
Robin Laurence, A show of arboreal alchemy, The Georgia State.
Jeff Hodson, Using guns to grow life, Metro News, April.
Lloyd Dykk, VAG takes a dig at war by planting a tree, The Vancouver Sun.
Karolina Lagowska, Mesyk W Awangardzie, Gazeta Cojestgrane.
Principio de incertidumbre, Forum Monterrey/Conarte, Exhibition Catalogue.

Pedro Reyes, Escultura Social: A New Generation of Art from Mexico City. Abel H. Pozuelo, Ética y estética de Pedro Reyes, El Cultural, October.
Mariano Mayer, Pedro Reyes, Neo2, November.
Galería: Pedro Reyes, Revista Spot.
Ruth Lopez, Mexico’s Cutting Edge Slices Into The MCA, Time Out Chicago, June.
Principles of Social Topology, Celeste, Spring.
Mónica de la Torre, Ad Usum: To be used. Pedro Reyes, Codigo 06140, February-March.
Adriana Herrera, Pedro Reyes “El Conexionista”, Poder y Negocios, March.
Lisa Corrin, Creating ‘Place’ in Seattle, Olympic Sculpture Park, Seattle Art Museum.
Larissa Harris, Pedro Reyes. Carpenter Center, Harvard University, review in ARTFORUM, March.
Clair Enlow, Design Perspectives: Sculpture park reflects and reveals the city,
Daily Journal of Commerce, January.
Hilarie M. Sheets, Where Money’s No Object, Space Is No Problem, The New York Times, January.
Regina Hackett, “Capula XVI and XVII” and “Evolving City Wall Mural”, Pedro Reyes, Art history comes alive on the waterfront, Seattle Post-Intelligencer, January.
Everstill-Siempretodavía, Fundación Federico García Lorca, Exhibition Catalogue.

A tale of Two Cities: Busan-Seoul/Seoul-Busan, BusanBiennale 2006.
Publicated by Artbooks Publishing Corp.
Pedro Reyes by Tatiana Cuevas, conversation between those artists, BOMB, Winter.
Putting Art to Use, The Boston Globe, October.
Pedro Reyes, On Mexican Modernity, Culture and Travel, December.
Pedro Reyes, The New Group Therapies/Las nuevas terapias grupales,
Ediciones Diamantina and CONACULTA.
Pedro Reyes, Postcards from Mexico, MARK Magazine.
Pedro Reyes, The New Group Therapies, LAB Mag 01, November.
The air is Blue Insights on Art & Architecture: Luis Barragan Revisited, Edited by Hans Ulrich Obrist
and Pedro Reyes, Trilce Ediciones.

Uta Grosenick (Ed.), Art Now, vol. 2, Taschen.
Farsites/Sitios distantes, InSite Exhibition Catalogue.
Tanya Zimbardo, Structures of Attraction, California College for the Arts.
Parque vertical, Código 06140, December.
Algo se mueve en el mercado del arte, Expansión magazine, December.

Rozana Montiel, Entre arte y arquitectura. Entrevista a Pedro Reyes, Arquine, Winter.
Zik Zak, Arquine, Spring.
Omar García, Crea formas arquitectónicas.
Isabel Kobus, Richtfest an der oker für ein Fachwerkhaus aus Mexiko, Lokales, June.
Ana Elena Mallet, Los jardines colgantes de Tlatelolco.
Cuauhtémoc Medina, El esparcimiento como arquitectura, Exhibition guide, June.
Pedro Reyes, Pirámide flotante, Celeste.
Joanne Silver, Joanne, Visual Arts: ICA’s ‘Mexico’ reveals a land of contrasts, Boston Herald.
Edgar Alejandro Hernández, Crean en Alemania Ruta de la Amistad, Reforma, May.
Denise Rodríguez y Enrique González, Apoyan a la UdeG Alcaldes y la IP, Mural, April.
Inicia la construcción del Auditorio Metropolitano, El Informador, April.
Innesto d’Arte, Domus, January.

Luis Barragán, The Colours of serenity, The Economist.
Klaus Bisenbach, An Exhibition about the Exchange rates of Bodies and Values Mexico City.
echigo-tsumari Art Triennial, catalogue.
Martin Jasper, Wenn die Sonne dopplet versinkt, Kultur, August.
Fisión/Fusión, Catálogo de exhibición, MCI Washington.
La Casa Barragan, X-Knowledge, March.
Dominic Palfreyman, Basel on the Beach, Traveler, October.

Süddeutsche Zeitung, September.
Shanghai Biennale Catalogue, Shanghai Biennale.
Verónica Macías / Carmen Serra. Pedro Reyes. Más allá del acumulador orgónico. El Huevo, January.
Do it – Hazlo, Museo de Arte Carrillo Gil / CONACULTA, Exhibition Catalogue.

Revelado por… Interview in Codigo 06140, September/October.

Nützliche Skulptur an der Ruta de la Amistad, Mexico City, Werk, Bauen+Wohnen, May.