CV
Santiago Cucullu
Buenos Aires, Argentina, 1969.
Lives and works in Milwaukee, United States.
Education:
1999
1992
MFA Minneapolis College of Art and Design. Minneapolis, United States.
BFA Hartford Art School. Hartford, Connecticut, United States.
Solo exhibitions (Selection):
2010
2008
2007
2006
2005
2004
2003
2002
The Eight Days, Center for the Study of World Civilization, Tokyo, Japan. Pleathers, Huret Gallery, Emerson College, curated by Joe Ketner. Boston, United States. Pleathers, Huret Gallery, Emerson College, curado por Joe Ketner. Boston, United States.
Me Gusta Tu Jefa or Picasso’s Kitchen, Optical Project. Texas, United States.
7 Variations On You Can’t Always Get What You Want, with Martin Ayos, Salina Art Center.
Kansas, United States.
Black Car and Green Waters of Lethe, Loock Galerie. Berlin, Germany.
MF Ziggurat, Milwaukee Art Museum. Milwaukee, United States.
CrikCity or the Walls That Scour Us, Perry Rubenstein Gallery. New York, United States.
Creaks and Shafts, Rochester Art Center. Rochester, United States.
The Creaky Shaft, Galeria Umberto Di Marino. Naples, Italy.
Chaos and the Imprint of Architecture, The Dolphin. Kansas, United States.
Leave Me Never, Museum of Contemporary Art. San Diego, California, United States.
The Fates Await: (Serious Delirium, or You Will Die Tomorrow), Henry Art Gallery. Seattle, United States.
Delectable reason of sleeps, Perry Rubenstein Gallery. New York, United States. Hammer Project, UCLA Hammer Museum. Los Angeles, California, United States.
Cardboard Center for libertarians, Barbara Davis Gallery. Houston, United States.
Cardboard Center for libertarians, Barbara Davis Gallery. Houston, United States.
MAM Project 1, Mori Art Museum, curada por Mami Kataoka con Kenichi Kondo. Tokyo, Japan.
Madrid Project Room, ARCO Art Fair, curated by Peter Doroshenko. Madrid, Spain.
Art Statements, Art Basel Miami Beach Art Fair. Miami, Florida, United States.
Solo Exhibition, INOVA. Milwaukee, United States.
Wiyya To Hell Owwa That, Julia Friedman Gallery. Chicago, United States.
Core Exhibition 2003, Glassel School of Art. Houston, Texas, United States.
Hora Cero, Barbara Davis Gallery. Houston, Texas, United States.
I Owe It To Phillips, Franklin Art Works. Minneapolis, United States.
Core Exhibition 2002, Glassel School of Art. Houston, Texas, United States.
Group Exhibitions (Selection):
2010
2009
2008
2007
2006
2005
2004
2003
2001
2000
“Intensif-Station”, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany.
Biennial of the Americas 2010, Biennial of the Americas. Denver, United States.
Wisconsin Triennial 2010, Wisconsin Triennial. Madison, United States.
Liste Young Art Fair, booth presented by LABOR, Basel, Switzerland.
Big Picture/Small Drawer, Triple Candie, curated by Emily Cheng and Michelle Loh.
New York, United States.
Wallgasm, Angstrom Gallery. Los Angeles, United States.
Presents, Rowley Kennerk Gallery. Chicago, United States.
Personal Culture, Milwaukee Institute of Art & Design. Milwaukee, United States.
Electioneering, Fort Worth Contemporary Arts, curated by Gavin Morrison. Texas, United States.
New Perspectives in Latin American Art, 1930–2006: Selections from a Decade of Acquisitions, Museum of Modern Art. New York, United States.
An Atlas of Events, Calouste Gulbenkian Foundation. Lisboa, Portugal.
Scarlet Billows, DUMBO Arts Center. Brooklyn, Nueva York, United States.
Believers & Illusionists, R.T. Hansen. Berlin, Germany.
Paper Trail, Walker Art Center. Minneapolis, United States.
Singapore Biennial. Curada por Fumio Nanjo. Singapore Republic.
Archipeinture, Painters Build Architecture. Le Plateau, Paris, France.
Archipeinture, Camden Art Center. London, United Kingdom.
An Image Bank for Everyday Revolutionary Life, RedCat. Los Angeles, United States.
How Latitudes Become Forms: Art in a Global Age,
Museo de arte Contemporáneo de Monterrey. Monterrey, Mexico.
I still believe in miracles/Drawing Space (part I), Couvent des Cordeliers, Societé Point d’Ironie/Musée d’Art Moderne de la Ville de Paris. ParÃs, Francia.
Wanderlust, Julia Friedman Gallery. New York, United States.
Fiction: Truth in Photography and Painting, Timothy Taylor Gallery. London, United Kingdom.
How Would You Light Heaven, Carlier I Gebauer. Berlin, Germany.
Drunk vs. Stoned, Gavin Brown’s Enterprise en Passerby. New York, United States.
How Latitudes Become Forms: Art in a Global Age, Contemporary Art Museum. Houston, United States.
Whitney Biennial, Whitney Museum of American Art. New York, United States.
How Latitudes Become Forms: Art in a Global Age, Fondazione Sandretto Rebaudengo. Turin, Italy.
How Latitudes Become Forms: Art in a Global Age, Walker Art Center. Minneapolis, United States.
Officina America, Italy Core Exhibition. Bologne, Italy.
Glassell School of Art. Houston, Texas, United States.
Works on Paper, The Happy Lion Gallery. Los Angeles, United States.
Dubuffet e l’arte dei Graffiti. Brescia, Italy.
13 From Minneapolis. Minneapolis, United States.
Works on Paper, Blum and Poe Gallery. Los Angeles, United States.
Wall Works, Genesis Park. Houston, United States.
Pictures’ at an Exhibition, Artists Space. New York, United States.
Hall of Justice, Group Exhibition, Gus Lucky Gallery. Minneapolis, United States.
Fresh- The Altoids Collection, Traveling Show, New Museum of Contemporary Art. New York, United States.
Big, Weinstein Gallery. Minneapolis, United States.
Soap #3, Soap Factory. Minneapolis, United States.
Dialogues, Walker Art Center. Minneapolis, United States.
Bibliography (selection):
2008
2005
2004
2003
2002
Grabner, Michelle. Santiago Cucullu at Milwaukee Art Museum.
Anspon, Catherine D. “Santiago Cucullu” ARTnews, February, p.143.
“Santiago Cucullu”, GQ Japón, May, p.159.
“Santiago Cucullu”, Arte, April/May, 2004 p.32.
Grabner, Michelle. “Julia Friedman Gallery: Review” Tema Celeste, p.89.
Assef, Jenny. “Santiago Cucullu @ Franklin Art Works,” Pulse.
Pasquini, Stefano. “Officiana America”. NYARTS.
Ponnekanti, Rosemary. “Mapping out the Art”, ArtsHouston.
Fallon, Michael. “Not For sale: The temporary Mural”, The Rake.
Macri, Teresa. “An Anarchist from Murales”, IL Manifesto.
Camper, Fred. “Santiago Cucullu: Wiyya to Hell Owwa That: @ Julia Friedman Gallery”, Chicago Reader.
Ortiz-Torrez, Ruben. “Impure Beauty”, Gallery 400, University of Illinois, Chicago, United States.
Briggs, Patricia. “Santiago Cucullu at Franklin Art Works”. Artforum, Vergne, Philippe. “How Latitudes Become Form”, The Curator’s Egg, vol.4.
Wolfe, Ginger. “The Stray Show”, Bridge Magazine.
Grants + Residencies:
2009
2006
2004
2001-2002
International Studio and Curatorial Program.
Headlands Center for the Arts. California, United States.
Arcus project Ibaraki. Japan.
Glassell Core Program. Texas, United States.
Skowhegan School of Painting and Sculpture. Nueva York, United States.
Jerome Emerging Artist Fellowship. Minneapolis, United States.
Awards:
2007
2006
2003
2000
Mary Nohl Artist Grant. Milwaukee, United States.
Wisconsin Arts Board Grant
Glassell Core Program, Houston, United States.
Artadia: The fund for Art and Dialogue. New York, United States.
MCAD / Jerome Foundation Fellowship. Minneapolis, United States.
Visiting Artist, Mid-America Print Council. St. Cloud, United States.
Jerome Foundation Travel and Study Grant. St. Paul, United States.
Catalogues:
2006
2004
2003
O Estado do Mundo, Fundaçåo Calouste Gulbenkian. Lisboa, Portugal.
Singapore Biennale 2006, National Arts Council Singapore. Singapore Republic.
Whitney Biennial 2004, Whitney Museum of American Art. New York, United States.
Project 1, Mori Art Museum, MAM. Tokyo, Japan.
How Latitudes Become Forms: Art in a Global Age, Walker Art Center. Minneapolis. United States.